Graphic of a white bird dropping gold keys onto a fire escape.
White text reads "the pigeon." with a gold key replacing the "O"

Written by
Jonathan V. Edmondson

Directed by
Kyle Metzger


October 6th-16th 2022

Christ Church Neighborhood House

20 N American Street
Philadelphia, PA 19106

 

Synopsis

Declan Barkin is missing. When his brother Adam shows up in Denver to investigate the disappearance, he connects with Nate, who swears he barely knows Declan… but when a perplexing building manager, a curious roommate, and a bird on the fire escape interfere, Nate finds himself face-to-face with the very thing he has been trying to avoid. the pigeon. examines the truths we hide, the lies we craft, and the world we wish was right outside our window.

Content Warning: Our show contains use of profane language, as well as references to homophobia, death of a family member, alcohol, and mild sexual activity. Recommended for audiences age 16+.

Run time: Approximately 90 minutes with no intermission.


Production Photos.

our Cast.


Our production staff.


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explore the world of the pigeon.

Dramaturg’s Note

the pigeon. is a mystery. The audience is challenged to wonder, where has Declan gone? And, by probing deeper into that question, we soon begin to ask, why did he go? 

One of the things Jonathan and I often discussed was handling this play delicately: how do we avoid emphasizing the trauma in these characters’ lives, while also acknowledging the frequent, real presence of it? Queer trauma is fresh; it is on open display across the country and the world, which regularly participates in and enforces acts of violence. While the LGBTQIA+ community continues to gain significant wins of representation and cultural acceptance, sweeping systemic protections and insurance of quality life is denied to many of us– and is tenuous at best. 

Jonathan’s play offers some simple questions to disrupt this narrative: what does a queer space of safety look like? A place of home? A place without fear, a place without the ghosts of our traumas? What would you do to find it?

Declan is trying to find it. So is Nate, Cora, Phoebe. Adam too. 

Perhaps it exists in the space to be emotionally vulnerable. The space to raise our voices. The space to process what has happened to us, and space to choose to rise from the ashes, with the support of our loved ones besides us. Our chosen family, friends, our community showing up for us, and us for them. Activism, advocacy. Freedom to simply exist without threat of physical or systemic violence. The space to hold hands with who we want, wearing what we want, letting alllllll the wonderful wide spectrum of the full LGBTQIA+ community be presented and embraced.

We cannot ignore what has happened in the past, and what continues to happen in the present to the queer community– particularly to our trans, non-binary, and BIPOC folx who face imminent threats. 

What we can do is aim to build the world that exists through Marco’s window– and support those brave ones who have and continue to pave the way.

With gratitude,
Emily Dzioba, dramaturg


pigeons.

The domestic pigeon is a descendant species of the rock dove, the world's oldest domesticated bird. Mesopotamian cuneiform tablets mention the domestication of pigeons more than 5,000 years ago, as do Egyptian hieroglyphics; other research suggests that the domestication of pigeons occurred as early as 10,000 years ago. Pigeons have made contributions of considerable importance to humanity, especially in times of war— the intense homing ability of pigeons resulted in their use as messengers. War pigeons have carried vital messages, and some have been decorated for their services. Despite this, city pigeons today are seen as pests, mainly due to their droppings. “Feral” pigeons are considered invasive in many parts of the world, though they have a positive impact on wild bird populations, serving as an important prey species of birds of prey. (Lightly edited from source)

From an interview with Rosemary Mosco, author

Nicole Karlis: Part of the book is about how pigeons are misunderstood. And I'm curious if you've come across someone in public who perhaps saw a pigeon and was like, "Ew, I hate pigeons." What might you tell this person?

Rosemary Mosco: That did actually happen to me once. And it sort of triggered the idea for the book [A Pocket Guide to Pigeon Watching], or at least got the idea cooking.

I was waiting to catch the subway, and there was a woman waiting. She looked about my age, she was sort of frustrated and she took, like, a kick at a pigeon. She didn't kick it, but did kind of threaten it. I was really shocked, and I said "Oh, don't kick them," and she just turned on me and said, "You know, they're garbage, they're trash, they shouldn't be alive."

And I thought, "what is it about pigeons that engenders that kind of intensity?"

Can you summarize why people should be more understanding and kinder towards pigeons?

The wildest thing to me about pigeons, at least the city pigeons around us — there are different kinds of pigeons — that they are feral domesticated animals. They're just like a dog, a cat, or a feral horse or a feral goat. They were domesticated by humans a really long time ago, thousands of years ago. But the difference with pigeons is that we've sort of forgotten that we domesticated them.

So we brought them from their homes in parts of Europe, Asia and North Africa, and then forgot why we did it. And now we're sort of angry that these animals are in our space. And I think that that's kind of a real shame, because you learn more about nature when you understand the history and the context of why they're here.

When you put it into perspective like that, it's really a sad story about humans abandoning these birds.

Right? And they were really bred to be good at living near us. And then, we forgot, and now they keep hanging around us. And we're like, "why are they here?" Well, that's why.

Rosemary Mosco is a science writer and artist, and she's passionate about sharing her love for the natural world. Mosco has served in communications roles for nonprofits such as Mass Audubon and NPS, written for nature publications, and led unique nature walks. She holds an MS from UVM's Field Naturalist and Ecological Planning Program. She is the author of A Pocket Guide to Pigeon Watching.


Lobby SOURCES - FURTHER READING


A Look Backstage

Sitting down with Playwright Jonathan V. Edmondson

Playwright Jonathan V. Edmondson at rehearsal. (Photo by Melissa Nesta)


A lot of people maybe come out in late high school, they have college experiences and really come into their queerness. Then they get spit out of college and they’re in their late twenties and think, ‘I don’t know what to do now; all of my straight friends are getting married and having babies, and that’s not happening to me.’ At least that’s how I felt. [The show] explores those themes of community and safety, and puts into question – what if there was a world where queer people maybe were the majority of people instead of a minority?
— Jonathan V. Edmondson, to Philadelphia Gay News

Tell us a bit about your process in writing this play.

I started writing this play in August 2021, when I was away in Massachusetts for a week. I had just re-watched "Gone Girl" and was consuming a lot of thriller/mystery media, which sparked my initial inspiration for writing about Declan's disappearance. I (for better or worse) do not plan out before writing, so I was really surprised when the play took the turn that it did; slowly, it revealed itself to me to be a story about community, home, and safety.

I finished writing the play about three months later and continued to work on it into the new year. One particularly memorable moment was when I was thinking of writing a new scene to expand on two particular characters’ relationship. Inspiration for the scene struck while I was on a long drive, so I (safely!) spoke the scene out-loud and recorded it on my phone, and transcribed it later. I've never approached writing in any other way than just sitting at my laptop and going to a Word document, so being able to speak character lines out loud was new to me, but an ultimately really cool experience that helped me get to the heart of the scene.

What is a moment in the play that stands out to you the most?

There's a part of the show where two scenes happen simultaneously, and being able to hop back-and-forth between scenes was a fun writing challenge, and a joy to see staged by our director, Kyle. It feels very cinematic, which is something I've never experienced before in writing plays.

Why this play now?

Our rights as queer people are being threatened all over the country (and the world) right now. It's exhausting to see forward progress met with endless backlash and sometimes even regression to old ways of thinking. I believe this play speaks to the current moment of LGBTQIA+ individuals searching for safety and equity. 

What does queer joy feel like to you?

Queer joy means being able to be yourself, 100%, without fear of judgment. To be free of paranoia or anxiety about the world around you.


Chatting with the Actors

  • What is your favorite moment in the play?

    The second to last scene, while not the most exciting or tense of scenes is the epitome of the play and the most dear to my heart. The beauty of life is not in the grand gestures and sweeping declarations but in the calm breaths found in the mundane when in good company.

    Tell us about your favorite bird.

    A Robin without a doubt, and for more than the obvious reason. They’re a shockingly common bird where I grew up but despite their frequent airings they always seem to bring me joy.

    What is queer joy to you?

    I find queer joy community. It’s commiserating, it’s celebrating, it’s sharing experiences with other queer people.

  • Tell us about your favorite bird.

    My favorite bird is a Pekin duck! My goal is to own one as a pet and name him Mr. Harold. He would wear a little top hat too.

    What is queer joy to you?

    Queer joy to me is simply existing in a space where I can feel the same excitement, joy, and beautiful experiences that everyone else can, which this play emphasizes (and why it’s so relatable).

    What does home feel like?

    Home to me is comfort. Whenever something or someone feels comfortable, it feels like home.

  • What is your favorite moment in the play?

    My favorite moment in the play is when we get to see the curtain pulled back and the true vulnerability and shared humanity of our characters.

    Tell us about your favorite bird.

    It's a mystical bird, but I love the Phoneix. I love how it symbolizes rebirth; life born anew out of the ashes.

    What is queer joy to you?

    To me, queer joy is about the radical expression of one's queer identity, without the fear of society's judgment. Feeling at peace and safe within your body and community.

    What does home feel like?

    I feel at home when I am surrounded by my chosen community. Knowing that I am fully accepted and safe, and encouraged to grow and evolve into my truth.

  • What’s your favorite bird?

    Easily the rosefinch.

  • What’s your favorite moment in the play?

    I LOVE the layered scene with Cora and Phoebe on one side, and Adam and Nate on the other. The tension builds so well and captures each moment together perfectly. I won't share more because #spoilers, but our playwright is a genius ;)

    Tell us about your favorite bird.

    Ironically, a hummingbird! I love the mysticism around them and getting to see one up close - it's so rare to get a good glance bc of how fast they move. But with patience and persistence, getting a close look is well worth it.

    What is queer joy to you?

    Safety. It feels like safety for all, and true ability to be vulnerable and free. Spaces where queer folx can express themselves freely and without fear and burden feel like the ultimate queer joy.

    What does home feel like?

    Same answer - safety. A soft place to land, where you can risk falling knowing you will always be caught.

All photos by Melissa Nesta.


Support Your Local Community

Please consider supporting these Philadelphia-focused organizations with your
time, resources, and capital.

Attic Youth Center
Colours Organization
GALAEI
Hearts on a Wire
Mazzoni Center
Philadelphia FIGHT
William Way LGBT Community Center
Office of LGBT Affairs

With love and thanks,

The Strides Collective

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